One of my favourite crafts is Scrapbooking; not only is it a chance to be creative but it’s a great way to preserve your family history, memories and photos – as well as reliving all the great times as you work on your pages!

Scrapbooking is most commonly done on 12”x12” acid free papers, although some people scrap on 8”11.5”, 8”x8” and 6”x6” as well as mini books – so there is lots of variety for anyone wanting to start out with this craft – if you are already a card maker or paper crafter you probably have most of the materials you need already!

Today I’m showing you how you can incorporate colouring pencils into your scrapbooking. Quite recently crafters have started experimenting more with different mediums on their pages and I wanted to show that your colouring pencils are not limited to just colouring in stamped images to use on your page, there are lots of other uses too. So here is my step-by step scrapbook page…

Supply List – Derwent Coloursoft Pencils, White 12”x12” cardstock, Kraft Cardstock, die cutting machine or punches, adhesive, piercing tool, embroidery thread and needle, black journaling pen, embellishments and a photograph.

First, I cut a piece of Kraft paper to 11” x 5.5”, then using my Cricut Expression (die cutting machine) I  cut some bunting, butterflies and flowers. I’m actually going to be colouring the negative shapes but I kept hold of the die cut butterflies to add to the layout (you could also use punches if you don’t have a die cutting machine.)

Using a piercing tool and ruler I made holes 0.5cm apart all around the Kraft paper and stitched round with 2 strands of coral embroidery thread.

I then rounded the corners using a corner rounder punch and adhered about an inch from the bottom of my white 12x12” sheet of cardstock, I also rounded two of the corners of my photo and adhered next to the die cut area.

Using my Coloursoft pencils I blended the colour carefully through the die cut areas (use a blending stump to get into the small areas) I kept the colours quite fresh, using only one or two colours in each area and blending as I went.

I then coloured in the die cut Kraft paper butterflies, also with Coloursoft pencils and stuck to my layout with glossy accents (by curling the wings up slightly first and sticking just the middle down it gives a great 3D effect to your layout which will also flatten down when you want to pop the layout in your album.)

Using a black journaling pen I doodled over the top of my colouring to add lots of details.  I also added some white gel pen and glitter to small areas to add highlights. One of the great things about Coloursoft pencils is you can draw back over the top of them with a black pen to add details etc…!)

A few finishing touches, embellishments and a journaling card to tell the story behind the picture and my layout was complete!

You could also try…

• Doodling onto your page
• Journaling in rainbow colours
• Stamping and colouring a repeat background to create your own patterned paper

Thanks so much for looking, I hope this inspires you to try colouring pencils in your scrapbooking projects – please do share you links here or on the Derwent Facebook page, we’d love to see them!

I’ll be back soon with more crafty projects!

Sarah x

www.sarahhurley.com

As part of our 180 year celebrations, we're inviting staff and friends of Derwent to provide memories of years gone by. Here, Jay DePalma reminisces about his first experience of Derwent pencils...

"As a child artist in the 1960s and growing up in a home with a single parent - my mother, she knew the value of a dollar, but I was blessed for my mom also understood the unconditional importance of quality art materials. She made sure that my pencils received to up-most usage and even when it was too small to hold, she would help me take the led out of the wood case and grind it into powder so I can use it as a shading aid. What a clever idea from a woman without no artistic background whatever. I always keep myself in check and remember the young and lean years when my hopes of a bright future as an artist seemed almost like an impossible dream. My dearest mother, her undying love and support of my talent and of course, Derwent pencils the best pencils in the world. Thanks you both! Jay DePalma"

Thanks so much to Jay for sharing this memory with us.

Our next Featured Artist is Tiffany Budd, an artist from Surrey. Tiffany has worked with Derwent for many years and recently featured on our packaging for Pastel Blocks. We asked Tiffany a few questions about her work:

What inspires you and your work?

There are many things really, but as artists go, the often forgotten Russian Constructivists inspire me. The way they created new exciting work using shapes, perspective and light is brilliant. They were primarily inspired themselves by the Cubist movement (Picasso and Braque), another one of my favourites. For use of colour, Patrick Heron and Howard Hodgkin are masters in my eyes.  

My Fractured style of painting came from visiting a Russian Constructivist exhibition at the Tate Gallery about 4 years ago. It was like a light bulb moment! I got home, sat down with a glass of wine and sketched the said glass and bottle in a way I hadn’t done before, extending out lines and shading in the blocked up areas. I’ve not looked back since!

When I think of a painting idea, light, reflections and movement get me going. Unusual building shapes are great too. I am about to do a large scale drawing of the Millennium Wheel in my Fractured style, I am very excited about that! I love photographing water and waves too, then translating it onto my canvas as a later date. This is why I always carry a small digital camera with me. You never know what might grab your attention for the next drawing.

What are your goals as an artist?

To create something unique, that no other artist has done before. And for the viewer to look at it, appreciate it and enjoy it, and you never know, purchase it!

Which artist inspires you?

Do I have to choose one?! Aleksandr Rodchenko (Russian Constructivist), Picasso for his diversity and incredible talent, and then Carravaggio for pure drama. Oh then there’s Matisse, Patrick Heron, Howard Hodgkin like I mentioned before….see? Impossible to choose just one!

Do you have any top tips for drawing?

If you think something is not quite right, but can’t figure out quite what, try looking at it in a mirror. For some bizarre reason, the ‘mistake’ jumps out! Don’t ask me why, but it does!  Also, take your sketchbook and camera everywhere like I mentioned before. You never know when something might inspire you and get your fingers itching! When using coloured pencils and want to remove the pencil marks to create a smooth image, a blender pencil is invaluable. It doesn’t affect the colour but blends it all nicely together.  And finally, buy the best quality pencils you can. Cheap ones tend to break and that can incredibly frustrating.

How and when did you start drawing?

I’ve always drawn, as long as I can remember. It was something I was good at school (unlike Maths!). I was at a school which had a fantastic art department. They really encouraged me to develop my talent, and in the process, recommended I give up trying to do A level Biology. Which I did willingly! At Christmas and birthdays growing up, I always asked for art materials. (I still do) I can’t imagine not drawing or painting.

How has your style changed over the years?

Quite dramatically. I wanted to learn how to draw first and foremost, so would copy, sketch figure studies, still life.  Once I could do that, I tried other things, abstracts, collage and I developed a range of floral work using the collage. I still do those, but I’ve moved onto my Fractured work more now. Every now and then, I still do the basics, almost like a refresher course. I love drawing so just want to keep on improving and developing my skills. I believe you need to know the basics of drawing, perspective and copying before you can develop your own personal style.  But that’s just me! Some people have a distinctive style from the outset, but I didn’t.

What have you learned about yourself and your work over the years?

Be yourself and be patient! I used to be incredibly impatient and would rush things and inevitably ruin them. It took years for me to slow down and concentrate more on my work. I do things slowly and carefully now. Although saying that, I have begun to do demonstrations for art societies and you have to complete a painting in 2 hours and talk at the same time! That does tend to speed you up a bit! I also used to try and do styles which just weren’t suited to me. I admire people who do loose, free work. So I tried it, and it didn’t feel right, or look right. Stick to what you’re best at! I also like chatting to and being with people, which is why I began to do art demonstrations. Being an artist can be quite a solitary experience, so this works perfectly for me.

Which country would be your dream drawing destination?

Easter Island! I have had a lifelong fascination with tribal sculpture and beliefs. The fact that this island is as far away from anything you can get, and yet these mysterious, beautiful giant heads gaze inland, not out to sea is incredible. I would love to sit there all day and draw, and think about what they mean! I imagine the light on this island is crystal clear and bright.

What are the most enjoyable and rewarding aspects of being an artist?

Creating something which people enjoy, and that I enjoyed doing myself. Getting paid for it is also a bonus!!! I love being an artist, and I couldn’t imagine doing anything else.  

You can find out more about Tiffany on her website: www.tiffanybudd.co.uk